The film takes position in a French boys’ boarding college run through a headmaster who makes lifestyles there as ugly for the lecturers as for the lads. Michael Delasalle (Paul Meurisse) is a sadist and a pinchpenny who serves the scholars rotten fish and slaps round his spouse Christina (Vera Clouzot), even supposing the varsity actually belongs to her.
The men hate him and the lecturers appear to despise him, particularly the strapping Nicole (Simone Signoret), who has till lately been his mistress. Because the film opens, Nicole is urgent forward with a plan she has already defined to Christina. It is an elaborate scheme through which they’re going to consult with Nicole’s house in a far off village, trap Michael there, drown him in a tub, and secretly go back to the varsity to offload the swine within the swimming pool, the place he’ll appear to be a suicide or twist of fate sufferer.
This isn’t the plot. It’s simply the set-up, and the plot correct starts after the frame it seems that disappears from the pool and Michael’s go well with is returned from the cleaners. Are the ladies going mad? Can they believe the proof in their eyes and ears – or imagine their transparent reminiscence of Michael’s useless frame staring goggle-eyed at them from underneath the water within the tub? “Please don’t expose the finishing to people who have now not but noticed the movie!” Clouzot pleads together with his ultimate body. I’d now not dream of it. However I will be able to apply that the finishing wouldn’t have took place rather how it does with out the passive cooperation of Inspector Fichet (Charles Vanel), who has it seems that figured the whole lot out and is well-placed to forestall the general consequence, however waits too lengthy.
In fact he is not precisely swift on his ft. He shuffles onto the scene in a rumpled previous raincoat, chewing on a cigar and asking it seems that aimless questions. His favourite methodology is to copy a query, pretending that he hasn’t heard the solution, even if it is rather transparent that what he hopes to do is lure a suspect in a contradiction. In look, mannerism and technique, Fichet is Columbo; Falk added a squint, a dirtier raincoat and extra humor.
The well-known plot of the film most often deceives first-time audience, a minimum of up to some degree. The overall revelations are slightly disappointing, however Clouzot does not linger over them. Probably the most tense parts of the film are implied, now not noticed, within the seedy air of the lecturers, all of whom have noticed higher days and a minimum of one in every of whom will have to most probably be in prison.