A Type of Frankenstein Experiment: Hagai Levi on Remaking Scenes from a Marriage | Interviews

Gender roles and definitions of partnerships have modified considerably within the half-century for the reason that authentic. How essential was it to you to make the story modern, and, with out spoiling issues, the way you endeavored to do this?

It was an enormous query. For People generally, the reply is as a result of it’s in Swedish. That wasn’t ok for me. I wanted cause to present myself to do that now. It was in the end to modernize it however that also wasn’t sufficient. So I had the thought of the gender swap and felt like this was cause. It’s additionally, for me, a really attention-grabbing experiment in gender. I didn’t change a lot after I swapped however, then once more, it adjustments every little thing, you already know? So I believe a whole lot of it has to do with how a lot can you are feeling empathy for the lady? I remembered initially that you just didn’t really feel any empathy for the person, he was simply an asshole, the villain, and Bergman didn’t care about me not liking him. When swapping it, I had to verify—that was most of my work—that you just really feel for her. And that’s the fashionable thought about the truth that she’s doing what she’s doing, however you are feeling that he deserves it someway.

Viewers are going to wish to take sides. What would you say to them?

I can’t placed on the display a villain. It’s one thing I don’t know easy methods to do. I’ve by no means accomplished it, so possibly it’s an issue with me. So it’s arduous. It’s apparent that he’s the sufferer, so you are feeling for him, and it’s more durable to really feel for her. However I’ve to say that I’m a lot along with her. I like her a lot. I perceive precisely what she’s doing and the way it’s greater than her. She needed to do what she needed to do to be able to come again to her senses, so to talk, after 5 years. So I believe what I attempt to do is you can not truly decide a facet. After all, you’ll personally, however it gained’t be straightforward.

How a lot did you refer again to the supply materials? How frequent was on set and with the actors?

It was frequent in rehearsal. It was much less frequent in taking pictures. Once I began writing, I by no means watched it once more. I felt I didn’t wish to see it. I’ve a script and it’s not proper. Particularly Oscar, he actually preferred to observe it many times to take no matter he might from there and get inspiration. Generally they stated it felt to me like a kind of Frankenstein experiment, the place I’m altering the principles however conserving the unique story. It’s generally created very bizarre moments. To know why I did that, we’d return to the unique. However as soon as we began taking pictures, it was fairly uncommon. I didn’t permit it.

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